Black Women’s Contributions to Hip-Hop Beyond the Mic
When Wu-Tang Clan’s Ol’ Dirty Bastard (ODB) adorned his 1995 debut album, Return to the 36 Chambers: The Dirty Version,
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Performance
Black Theatre Manuscripts as an Archive of Black Radicalism–An Author’s Response
*This post is part of our joint online roundtable with The Journal of Civil and Human Rights on Kate Dossett’s Radical Black Theatre in The
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Contesting the Stage
*This post is part of our joint online roundtable with The Journal of Civil and Human Rights on Kate Dossett’s Radical
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Realism and Melodrama in Stevedore
*This post is part of our joint online roundtable with The Journal of Civil and Human Rights on Kate Dossett’s Radical
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Speculative Black Theatre History
*This post is part of our joint online roundtable with The Journal of Civil and Human Rights on Kate Dossett’s Radical
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